| | sculpture, from Fontbonne University in St. Louis, Missouri. She first started carving when her father, who collected scrimshaw, suggested she give it a try. For Ochonicky, it was the perfect medium to combine her love of art and history. Additional graduate studies in a variety of mediums continued to enrich to her work, giving it a distinct style.
In the late 1700's and early 1800's sailors created scrimshaw as a way to pass time on long whaling voyages. Intricate pictures were etched using only a pocketknife or sail needle. Today, animal protection laws ban the importation of ivory whale's teeth or elephant tusks. Instead, Ochonicky uses cow bone or horns, deer antlers, ostrich and emu eggs, fossilized ivory and manmade polymers with the look and feel of ivory. She has even etched on tagua palm tree seedpods. As a result, Ochonicky has received recognition as an environmentally conscious artist. Like the sailors, she uses no patterns, stencils, transfers or power tools. Each piece is truly hand-done and original. Working from her tiny Stone Hollow Studio deep in the woods near Eureka, Missouri, Ochonicky's subjects include the very traditional nautical themes along with the wildlife she loves so much. Her sculpture-based skills infuse her scrimshaw with a three-dimensional quality, making the images appear alive.
To view a recent PBS-television segment about Mike and her work, click: watch show.
Ochonicky is a former three-term president of Missouri Artisans Association, better known as The Best of Missouri Hands. She is currently the Executive Director of this statewide group dedicated to promoting Missouri artists; Best of Missouri Hands
Her scrimshaw is on permanent display in the Missouri Governor's Mansion as well as in private, corporate, state and university art collections in the U.S., Europe, Asia, South American, Africa and Australia.
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